Girls girls girls. Particularly informed by the Greek word ekphrasis, del Mar has described her practice as operating in a similar exchange: book covers and movie posters come before the books and movies and, in some instances, stand alone.
From January 13 – February 17, 2013, PARTICIPANT INC is proud to present GIRLS GIRLS
GIRLS, a solo exhibition featuring photographs, videos, and hand-made books by New
York-based artist Katrina del Mar.
Katrina del Mar is perhaps best known for her decades-long work in video and
photography, chronicling the reality and illusion of her Lower East Side friends and
lovers as punk heroines; or within her girl gang movie world of strictly female
population. Creating a family tree indebted equally to B-movies and diaristic
photography, del Mar’s defiantly queer photographs and videos are iconic alternatives
to the cultural status quo, offering an exuberant, hyper-stylized sexuality, an
unapologetic feminist voice, and often guerilla-style production tactics.
Particularly informed by the Greek word ekphrasis, a rhetorical device in which a
description of a work becomes the work in and of itself, del Mar has described her
practice as operating in a similar exchange: book covers and movie posters come before
the books and movies and, in some instances, stand alone. She has noted, “Long after
my films are finished, I am writing the novels they should have been based on. I write
modern myths set in urban environments.”
With this logic in mind, GIRLS GIRLS GIRLS presents an expansive selection of
photographic works, beginning with a shelf of handmade pulp fiction paperbacks. Their
covers, designed first, become starting points for del Mar’s fictional excursions
inside, though some remain empty. On the walls, photographs are grouped into loose
narratives. Arcs and archetypes—surfer girls, bike gangs, girls playing in their
rooms, bedroom scenes including the artist and others—feature dogs, cars, leather,
tattoos. These become fictionalized signifiers of the threat of women’s violence,
which the artist, as ringleader, marshals as an active participant. Adding light and
color to the powers that urban life has to offer, del Mar creates “...a fantasy that
moves from violence to sex rather than vice versa....” (Chicago Reader)
Jenifer P. Borum has noted of del Mar’s work: “These glimpses she gives us are not of
marginal inhabitants of our world. Those leather femmes with their dogs. Those
pierced, sleeved-out dykes on the street. They look like they’re from the cool
neighborhood of the city, but they’re not from here. Like Henry Darger’s In the Realms
of the Unreal, del Mar’s world is both epic and dystopian—a fictional reality that
seems very much like our own, only with different rules.”
Katrina del Mar is a New York-based photographer and award winning film director. Her
solo exhibition Gangs of New York was presented in 2010 at Wrong Weather Gallery in
Porto, Portugal. Invited to teach at the University of the Arts in Bremen, Germany,
she conducted the first ever Queer Trash Feminist Film Workshop, also in 2010. In
2012, she presented a series of films and photographs from the Golden Age of
Performance Art (1988-2000) with Dona Ann McAdams, On the Edge of Society: Moments in
Live Art, at Warehouse 9, Copenhagen, Denmark. Her work has shown at Deitch Projects,
NY; Museum for Contemporary Art (CAPC), Bordeaux, France; American Fine Arts Company,
NY; Binz 39, Zurich, Switzerland; Bass Museum of Art, Miami; Miami Light Project;
P.S.122, NY; FabLab, Berlin; and the University of Cardiff, Wales.
Her first film, Gang Girls 2000, shot entirely on super 8mm film, received a four and
a half star review in Film Threat magazine, among other glowing reviews, inviting
comparisons to the legendary Kenneth Anger. The follow up, Surf Gang, about a gang of
women surfers from Rockaway Beach, landed del Mar a fellowship in video from the New
York Foundation for the Arts, “Best Experimental Film” from the Planet Out Short Movie
Awards announced at the Sundance Film Festival 2006, and was screened at the Museum
for Contemporary Art (CAPC), Bordeaux, France. Her latest film project, Hell on Wheels
Gang Girls Forever, completes the Girl Gang Trilogy and was the recipient of the 2010
Accolade Award of Merit. Recent screenings include Girl Gang Trilogy, Nightingale
Cinema, co-presented by Chicago Underground Film Festival, 2012; Super 8 Film
Portraits, curated by Stephanie Gray, Millennium Film Workshop, NY, 2012; Surf Gang
(excerpt), Sound & Light, and winner of Juried Competition, Schoolhouse
Gallery, Provincetown, MA, 2012; Girl Gang Trilogy, Fringe Film Festival, London, UK,
2012; and Girl Gang Trilogy, Bio Paradis, Reykjavik, Iceland, 2012.
PARTICIPANT INC's exhibitions are made possible by the New York State Council on the Arts with the support
of Governor Cuomo and the New York State Legislature.
Archiving and documentation projects are supported by an award from the National Endowment for the Arts.
Our programs are supported, in part, by public funds from the New York City Department of Cultural Affairs
in partnership with the City Council.
PARTICIPANT INC receives generous support from the Harriett Ames Charitable Trust; The Blessing Way
Foundation; Bloomberg; The Brown Foundation, Inc. of Houston; EcoBizNYC; Foundation 20 21; Foundation for
Contemporary Arts; Gesso Foundation; The Greenwich Collection Ltd.; Harpo Foundation; The Ruth Ivor
Foundation; Lambent Foundation; The Daniel M. Neidich and Brooke Garber Foundation; Puffin Foundation; The
Benjamin M. Rosen Family Foundation; The Andy Warhol Foundation for the Visual Arts; an anonymous donor of
the Community Foundation of Abilene; FRIENDS of PARTICIPANT INC; numerous individuals; and Materials for
the Arts, NYC Department of Cultural Affairs/NYC Department of Sanitation/NYC Department of Education.
Opening Reception, Sunday, January 13, 7-9pm
PARTICIPANT INC
253 East Houston Street, between Norfolk and Suffolk Streets on the LES.
Subway: F to Second Avenue, Allen Street exit or JMZ to Essex/Delancey. participantinc.org
Gallery hours: Wednesday-Sunday, noon-7pm