In A Not So Distant Future. Two new video installations by the Argentinean artist. Diaz Morales' video works interweave a range of genres. On the editing table, the artist merges fictional, documentary and experimental material and, taking an improvisational approach, arrives at riveting sequences of images.
In A Not So Distant Future
premieres two new video installations
SMBA is proud to premiere two new video installations by the Argentinean
artist Sebastian Diaz Morales (Comodoro Rivadavia, 1975). Diaz Morales’
video works interweave a range of genres. On the editing table, the
artist merges fictional, documentary and experimental material and,
taking an improvisational approach, arrives at riveting sequences of
images.
The series of five videos Water, Box, Handkerchief, Dress/Undress and
Force (2003) together with the diptych The Enigmatic Visitor (2003)
comprise the exhibition in SMBA. The images for this new work were shot
in the summer of 2003 on the steppes of Patagonia. Like the majority of
Diaz Morales’ videos the atmosphere is charged and apocalyptic. The
ensemble presented under the title In A Not So Distant Future heralds a
new chapter in his oeuvre. This time, Diaz Morales does not construe a
feverish hypnotic series of images but creates an environment of bare,
stripped scenes dominated by a single action. In a desolate, undefined
landscape, a man and woman attempt to battle the elements. The wind
wails while they dance about each other in an absurd ballet or – to no
purpose – seek shelter under a cardboard box. In A Not So Distant Future
emerges as a degré zéro of human existence.
The five videos are contrasted in the SMBA exhibition with The Enigmatic
Visitor (2003), a panoramic registration of a dialogue between a soldier
and a scientist. The fragments of their conversation paint a picture of
a world of destruction, violence and horrors of war. The dialogue is
based on excerpts from the novel Los Lanzallamas (The Flamethrowers) by
the Argentinean writer Roberto Arlt (1900 – 1942), part two in his novel
series Los Siete Locos (The Seven Madmen).
The exhibition is curated by Martijn van Nieuwenhuyzen, director SMBA.
SMBA Newsletter no. 77 will accompany the exhibition, with an essay by
Wim Peeters, Antwerp.
Sebastian Diaz Morales lives and works in Argentina. From 1993 to 1999
he studied at the Universidad del Cine de Antin, Capital Federal. He
completed a work period at the Rijksakademie, Amsterdam, in 2002. Over
the last few years his work has been presented at Museum Abteiberg,
Mönchengladbach, NICC Antwerp, the Sao Paulo Biennale and the Berlin
Biennale. In 2002 he was awarded the Van Bommel Van Dam Prize for young
art and in the autumn of 2003 won first prize in the 14th international
Videobrasil festival for his piece The Apocalyptic Man (2002) shown in
the front space of the SMBA. Diaz Morales’ work 15.000.000 Parachutes
was recently acquired by the Tate Modern Collection, London.
10 Years SMBA
In January and February 2004, Stedelijk Museum Bureau Amsterdam
celebrates its tenth birthday. To mark the event, the jubilee
publication WE SHOW ART will be published, containing – among other
things – a complete reprint of the SMBA Newsletter 1993 – 2003.
In the image: 'box'.
Stedelijk Museum
Paulus Potterstraat 13 1070 AB Amsterdam
tel 31 20 5732911