Martin Puryear comprises a selection of characteristically large-scale, enigmatic, semi-abstract sculptures, dating from 1997 to 2001, presented alongside a selection of large, limited-edition prints from 2001 and 2002.
The first exhibition in Ireland by Martin Puryear, one of the leading exponents
of US post-Minimalist sculpture, opens to the public at the Irish Museum of
Modern Art on Wednesday 21 January 2004. Martin Puryear comprises a selection
of characteristically large-scale, enigmatic, semi-abstract sculptures, dating
from 1997 to 2001, presented alongside a selection of large, limited-edition
prints from 2001 and 2002.
Martin Puryear uses a vocabulary of simple reductive forms to create works with
a strong and direct physical presence. Process and materials are crucial to his
work, which is predominantly based around traditional craft techniques of
woodworking, furniture making, basketry and boat making. Puryear works primarily
in wood, creating meticulously hand-crafted sculptures, which are often painted
or combined with manmade material, such as wire and tar.
Puryear's work often presents dual meanings and contradictions, in both physical
form and potential meaning. While essentially abstract, it frequently contains
references to organic forms or physical objects - vessels, huts, nets - and
demonstrates a striking physical duality appearing both dense and solid and
transparent and fragile at the same time.
An extensive knowledge of nature, wildlife, history and geography, as well as an
interest in Native American, African, Scandinavian, Japanese and Arctic
cultures, have been major influences on Puryear's visual language. During the
1960s Puryear learned traditional wood joinery and the use of hand tools while
teaching in Sierra Leone in West Africa. In Sweden he studied printmaking and
sculpture at the Swedish Royal Academy. While in Sweden, he met renowned
furniture craftsman James Krenov which was a formative experience.
Commenting on Puryear's work, IMMA Director Enrique Juncosa said:
"We are delighted to give Irish gallery-goers the opportunity to experience this
extraordinary body of work by Martin Puryear, whose originality and complexity
make him one of the most important American artists of our time."
Born in Washington DC in 1941, Martin Puryear, who is an African American, has
been creating sculptural works since the mid 1970s. He has exhibited
extensively in the US, including one-person shows at the Brooklyn Museum
(1988/89) and the Boston Museum of Fine Arts (1990). He also represented the
USA at the 1989 São Paulo Biennial. Puryear's sculpture is included in the
collections of many of the major American museums including the Art Institute of
Chicago, the Museum of Modern Art, New York, and the National Gallery in
Washington.
The exhibition originated in BALTIC - the Centre for Contemporary Art,
Gateshead, England. A catalogue, with an essay by Sune Nordgren, former
Director of BALTIC, accompanies the exhibition.
Martin Puryear continues at IMMA until 9 May.
Image: Martin Puryear, Vessel, 1997 - 2002, Pitch
pine, mesh and tar, 461 x 213.4 x 172.7 cm, Collection of the Artist. Courtesy
McKee Gallery, New York
Admission is free.
Opening hours: Tue - Sat 10.00am -
5.30pm
Sun and Bank Holidays 12 noon - 5.30pm
Mondays Closed
For further information and colour and black and white images please contact
Monica Cullinane or Patrice Molloy at Tel : +353 1 612 9900, Fax : +353 1 612
9999
IMMA
Irish Museum of Modern Art
Royal Hospital Military Road Kilmainham 8
Dublin