Sophie Taeuber-Arp
Marc Bauer
Bianca Brunner
Philippe Decrauzat
Klodin Erb
San Keller
Petra Köhle & Nicolas Vermot
Petit-Outhenin
Zilla Leutenegger
Michael Meier & Christoph Franz
Giacomo Santiago Rogado
Francisco Sierra
Max Leiß
The exhibition 'Sophie Taeuber-Arp: Today Is Tomorrow' offers the largest and most comprehensive survey to date of the work of the Swiss avant-garde artist. For 'Docking Station' contemporary artists were invited to work with historical artworks from the holdings of the Aargauer Kunsthaus and the insurance company Nationale Suisse. Max Leiss is the artist for this Caravan season.
Sophie Taeuber-Arp
Today is Tomorrow
curated by Thomas Schmutz
Sophie Taeuber-Arp (1889–1943) ranks among the most important Swiss
artists of the twentieth century. A woman of many talents and a
master of form, colour and material, she created an oeuvre combining
the highest demands on quality and consistency in the fields of
design, painting, textiles, drawing, sculpture, architecture, dance
and scenography. Including more than 300 exhibits, the exhibition
Sophie Taeuber-Arp: Today Is Tomorrow provides the opportunity to
explore, in unprecedented depth and breadth, the artist’s way of
thinking and working across art forms and thus to fully appreciate
her achievement as a pioneer of modernism.
The exhibition Sophie Taeuber-Arp: Today Is Tomorrow offers the largest and
most comprehensive survey to date of the work of the Swiss avant-garde
artist. On view are larger groups of works from all her fields of activity
that provide a basis for understanding Sophie Taeuber-Arps artistic
methodology.
A documentary film on Sophie Taeuber-Arp’s life and work of that was first
shown on Swiss television in 2012 was aptly titled «Die bekannte
Unbekannte» (The Familiar Unknown One). Sophie Taeuber-Arp is indeed very
familiar to us: for the past twenty years she has been looking up at us
from the 50 Swiss francs bill. She is known as the wife of Hans (Jean) Arp,
one of the foremost Dada artists, as his ally and artistic companion.
However, the true nature of her work is still insufficiently explored. The
image we have of Sophie Taeuber-Arp has been shaped by one-sided art
historiography and was crucially influenced by the posthumous statements of
Hans Arp, in which he presented his wife to posterity as a dreamer and an
artist working in a predominantly intuitive manner. By contrast, theexhibition at the Aargauer Kunsthaus looks at Sophie Taeuber-Arp’s work in
its entirety and considers the known and the unknown on a par; one pioneer
achievement of Sophie Taeuber-Arp indeed consists in her cross-genre,
relaxed and very deliberate use of creative media.
In its retrospective approach, the selection of works from all creative
periods takes Sophie Taeuber-Arp’s distinctive understanding of art into
account. Added to the substantial holdings of her work in the collection of
the Aargauer Kunsthaus are top-quality loans from international and
national museums, all of the institutes managing the estate, as well as
various private collections. Among these are works that met with acclaim
during her lifetime or that were subsequently recognized by art history,
such as a series of oil paintings, reliefs and paper works that had a
profound influence on the concrete/constructive visual language during the
1930s. Also included, however, are less noted works: textile and costume
designs, woven objects and pieces of jewellery whose radical visual
solutions already drew attention in the 1910s. Although ahead of its time,
her work in the applied arts was long neglected in the fine art context. In
the exhibition at the Aargauer Kunsthaus, applied and independent artworks
are displayed side by side, thus rendering palpable formal connections
between art forms: for Sophie Taeuber-Arp, today’s creative process always
already held solutions for tomorrow.
At the same time with and in addition to the exhibition Sophie Taeuber-Arp.
Today Is Tomorrow, a presentation of works from the collection of the
Aargauer Kunsthaus will be on view in the galleries on the museum’s lower
floor. This presentation’s focus is on constructive/concrete tendencies
within the collection, which over the past twenty years have been a main
target of our collecting activities and define the artistic context in
which – from a Swiss perspective – Sophie Taeuber-Arp is to be situated.
After its presentation in Aarau, the exhibition will travel to Bielefeld
where it will be on view at the Kunsthalle Bielefeld from 12 December 2014
until 15 March 2015.
Biography
Born in Davos in 1889, Sophie Taeuber-Arp grew up in an emancipated and
culturally open-minded milieu in Trogen in the Canton of Appenzell.
Artistically gifted, she enrolled in the Stauffacher school in St. Gallen,
a private school for drawing and design, at the age of 15. From 1912 until
1914 Sophie Taeuber-Arp studied at the renowned Teaching and Experimental
Studios for Applied Art in Munich, interrupted by an intermediate year at
the State School of Applied Arts in Hamburg. Back in Zürich, she stayed
afloat by accepting applied art commissions, until in 1916 she was offered
a position teaching textile design at the Zürich School of Applied Arts. She continued to teach there until 1929, setting new standards in textile
design. In 1915 she met Hans Arp whom she married in 1922. Both were active
in the context of the Zürich-based Dada movement. Sophie Taueber-Arp
appeared as a dancer both at the Cabaret Voltaire and later at the Galerie
Dada. She attended the Laban School in Zürich and through it met dancers
such as Mary Wigman and Katja Wulff. As a 27 year-old, Sophie Taeuber-Arp
received her first major commission as an interior architect, which
involved decorating the Aubette, a modern entertainment centre in
Strasbourg, together with Hans Arp and Theo van Doesburg. In 1929 Sophie
Taeuber-Arp and Hans Arp moved to France where they lived in a house
conceived by Taeuber-Arp in Clamart-Meudon near Paris. Even more than in
Zürich and stimulated by the close contact to the Paris art scene, Taeuber-
Arp from then on focused on her artistic work. When the Germans marched
into Paris in 1940 the couple was forced to flee to Grasse in the south of
France and later back to Switzerland. In 1943 when she was only 54 years
old, Sophie Taeuber-Arp died of carbon monoxide poisoning at the home of
fellow artist Max Bill.
Sophie Taeuber-Arp was a member of major avant-garde artists’ associations
such as Cercle et Carré (1929-1931), Abstraction-Création (1931-1936) in
Paris as well as the Swiss Allianz and a co-founder of and contributor to
the art magazine Plastique–Plastic (Paris and New York, 1937–1939, five
issues appeared). The Swiss artist is considered a pioneer of constructive,
concrete and abstract art, although she never entirely rejected the
figurative.
Curatorial Assistance
Rahel Beyerle, project assistant
Accompanying Publication
In conjunction with the large-scale survey Sophie Taeuber-Arp: Today Is
Tomorrow a comprehensive accompanying volume is published (1st edition
German; 2nd edition English). This volume will be a definitive work that
equally considers all areas of Taeuber-Arps creativity and points out the
constant interconnections within her oeuvre. Apart from numerous
illustrations, the publication includes scholarly essays by Rahel Beyerle,
Sarah Burkhalter, Medea Hoch, Brigitte Maier, Walburga Krupp, Sigrid
Schade, Thomas Schmutz, Maike Steinkamp and Rudolf Suter and reflects the
various work techniques and creative disciplines that were important to
Sophie Taeuber-Arp. The volume will be published jointly by the Aargauer
Kunsthaus and the Kunsthalle Bielefeld in August 2014. Verlag Scheidegger &
Spiess, Zürich, 2014, ca. 300 pages. ISBN 978-3-85881-432-6
Preview for the Media
Thursday, 21 August 2014, 10 am
Introduction and tour of the exhibition with Thomas Schmutz, curator.
Followed by a reception in the foyer.
Exhibition Opening
Friday, 22 August 2014, 6 pm
6.15 pm Speakers: Madeleine Schuppli, Director, Thomas Schmutz, Curator /
Dep. Director, Councillor Alex Hürzeler, and Isabelle Chassot, Director,
Federal Office of Culture. Followed by a reception in the foyer.
5 – 6 pm Preview for sponsors and members of the Aargauischer Kunstverein.
Reading by Albert Freuler
Thursday, 4 September, 6.30 pm and Sunday, 9 November, 12.30 pm
Further information will be made available shortly
Guided Tour and Performance
Thursday, 18 September and Thursday, 16 October
6.30 pm Public guided tour of the Sophie Taeuber-Arp exhibition
8–8.30 pm Dance and text performance based on choreography by Nelly
Bütikofer, in the foyer
Sunday, 16 November
11 am and 1 pm Public guided tour of the Sophie Taeuber-Arp exhibition
5 pm Dance and text performance based on choreography by Nelly Bütikofer
International Conference
Friday, 24 October 2014, 1.30 – 6 pm
Saturday, 25 October 2014, 9.30 am – 12.15 pm
The exhibition Sophie Taeuber-Arp: Today Is Tomorrow provides the occasion
for a scholarly conference that, appealing to a broad public, aims to
further the art historical analysis and categorisation of Sophie Taeuber-
Arp’s oeuvre and promote critical reflection on the reception of her work.
Co-organised by the Schweizerisches Institut für Kunstgeschichte SIK-ISEA,
conference participants include experts as well as representatives of the
various institutes that manage the artist’s estate. The Aargauer Kunsthaus
invites all those interested in attending a major international exchange in
the midst of the extensive work survey.
Art Education
The exhibition will be accompanied by numerous guided art historical tours
and a wide-ranging programme of art education events for children, adults,
families and schools (starting in August, detailed information will be
available in the exhibition flyer and on our website,
www.aargauerkunsthaus.ch/en/events)
For additional information please contact
Thomas Schmutz, Curator
tel. +41 (0)62 835 23 22, email: thomas.schmutz@ag.ch
Filomena Colecchia, Communication
tel. +41 (0)62 835 23 34, email: filomena.colecchia@ag.ch
---
Docking Station
Contemporary Artists Work with Artworks from the
Aargauer Kunsthaus and the Nationale Suisse Collection
For the exhibition Docking Station contemporary artists were invited
to work with historical artworks from the holdings of the Aargauer
Kunsthaus and the insurance company Nationale Suisse. The results
offer
surprising
and
unusual
perspectives
on
Swiss
art
and
art
history. A varied exhibition arrangement reveals the freshness and
richness an artistically motivated «look back» can exude.
Contemporary art evinces a keen awareness of its own predecessors and
pioneers. Young artists in particular are increasingly interested in art
and cultural history, creating works that more or less explicitly reference
practices and stylistic periods of the past. Conceived in cooperation with
the insurance company Nationale Suisse, the exhibition Docking Station
reflects this trend. Twelve Swiss artists - Marc Bauer, Bianca Brunner,
Philippe Decrauzat, Klodin Erb, San Keller, Petra Köhle & Nicolas Vermot
Petit-Outhenin, Zilla Leutenegger, Michael Meier & Christoph Franz, Giacomo
Santiago Rogado and Francisco Sierra – were invited to work with art from
the holdings of the Aargauer Kunsthaus and the Nationale Suisse. In works
that were conceived especially for this show they respond to selected
artworks, casting them in a new light.
The Aargauer Kunsthaus strives to maintain active access to its collection
and to build bridges between historical and contemporary art. The
exhibition Docking Station is accordingly on view in the upper floor
galleries.
Our partner in this project, the Nationale Suisse which specialises in art
insurance, on the one hand promotes young artists who are at the beginning
of their career through an art prize it has been awarding for ten years
now. And on the other the insurance company owns an extensive collection of Swiss art that is celebrating its seventy-year anniversary. The two
anniversaries led to the cooperation with the Aargauer Kunsthaus and to the
exhibition Docking Station, which offers visitors a unique opportunity to
discover two top-class collections of Swiss art through the lens of
contemporary artistic work.
Artists:
Marc Bauer (b. 1975), Bianca Brunner (b. 1974), Philippe Decrauzat (b.
1974), Klodin Erb (b. 1963), San Keller (b. 1971), Petra Elena Köhle (b.
1977) / Nicolas Vermot Petit-Outhenin (b. 1977), Zilla Leutenegger (b.
1968), Michael Meier (b. 1980) & Christoph Franz (b. 1982), Giacomo
Santiago Rogado (b. 1979), Francisco Sierra (b. 1977)
Historical Works by:
Eva Aeppli (b. 1925), Cuno Amiet (1868-1961), Albert Anker (1831-1910),
Karl Ballmer (1891-1958), Arnold Böcklin (1827-1901), Meret Oppenheim
(1913-1985), Caspar Wolf (1735 - 1783) and others.
Curators of the Exhibition
Madeleine Schuppli, Director, Aargauer Kunsthaus, in collaboration with
Thomas Schmutz, Curator / Dep. Director, Aargauer Kunsthaus, and Yasmin
Afschar, Research Assistant, Aargauer Kunsthaus
Exhibition App
For the first time the Aargauer Kunsthaus is launching an app in
conjunction with the exhibition that serves two purposes: it is an
interactive guide to the exhibition and it features an abundance of images
and texts that provide background information about the realized projects
and selected works from the collections.
Preview for the Media
Thursday, 21 August 2014, 10 am
Introduction and tour of the exhibition with Madeleine Schuppli.
Followed by a reception in the foyer.
Exhibition Opening
Friday, 22 August 2014, 6 pm
6.15 pm speakers: Madeleine Schuppli, Director, Aargauer Kunsthaus, and Dr.
Hans Künzle, CEO, Nationale Suisse. Followed by a reception in the foyer.
5 – 6 pm preview for sponsors and members of the Aargau Art Association.
Artists’ Talks
Thursday 6.30 pm
28 Aug. The artists Marc Bauer, Zilla Leutenegger and Francisco Sierra in
conversation with Madeleine Schuppli
2 Oct. The artists Bianca Brunner, San Keller und Petra Köhle & Nicolas
Vermot in conversation with Yasmin Afschar
6 Nov. The artists Klodin Erb, Michael Meier & Christoph Franz und Giacomo
Santiago Rogado in conversation with Thomas Schmutz
Art Education
Numerous art historical guided tours and a wide range of art education
events for children, adults, families and schools accompany the exhibition.
Please refer to the exhibition flyer or visit our website at
www.aargauerkunsthaus.ch/en/events
For additional information please contact:
Madeleine Schuppli, Director, Aargauer Kunsthaus,
tel. +41 (0)62 835 23 30, email: madeleine.schuppli@ag.ch
Filomena Colecchia, Communication,
tel. +41 (0)62 835 23 34, email: filomena.colecchia@ag.ch
---
CARAVAN 3/2014: Max Leiß
Series of exhibitions of young art
Image: Giacomo Santiago Rogado, Intuition, 2014. Mischtechnik auf Baumwolle, 300 x 220cm. Courtesy Galerie Mark Müller, Zürich © Giacomo Santiago Rogado 2014
Aargauer Kunsthaus
Aargauerplatz - 5001 Aarau
Opening Hours
Tuesday – Sunday 10 am – 5 pm, Thursday 10 am – 8 pm
Admission (Collection and Exhibitions)
Adults CHF 15.–
Children up to the age of 16 free
Trainees and Persons up to the age of 26 / IV CHF 10.–
School classes from the Canton of Aargau from 1st class to Sekundarstufe II free
School classes from other Cantons from 1st to 9th class free
School classes from other Cantons as of 10th class CHF 5.– / person
Kulturlegi CHF 10.–
Group rate adults (as of 10 persons) CHF 10.– / person
Group rate reduced admission (as of 10 persons) CHF 5.– / person