Louis le Brocquy
Mainie Jellett
Evie Hone
Camille Souter
Patrick Scott
Jim Dine
Sean Scully
Barry Flanagan
Patrick Ireland
In Memory of Dorothy Walker. A special exhibition in memory of the art critic, writer and founding IMMA Board member. The exhibition comprises 26 works by artists whose practice Ms Walker particularly admired such as Louis le Brocquy, Mainie Jellett, Evie Hone, Camille Souter and Patrick Scott. Many of the works in the exhibition are selected from her own private collection and are shown alongside works by artists she was closely associated with throughout her career, including Jim Dine, Sean Scully, Barry Flanagan and Patrick Ireland.
in Memory of Dorothy Walker
A special exhibition in memory of the art critic, writer and founding IMMA Board
member Dorothy Walker opens to the public at the Irish Museum of Modern Art on
Wednesday 25 February 2004. A Vision of Modern Art in Memory of Dorothy Walker
comprises 26 works by artists whose practice Ms Walker particularly admired such
as Louis le Brocquy, Mainie Jellett, Evie Hone, Camille Souter and Patrick
Scott. Many of the works in the exhibition are selected from her own private
collection and are shown alongside works by artists she was closely associated
with throughout her career, including Jim Dine, Sean Scully, Barry Flanagan and
Patrick Ireland. The exhibition also includes a bust of Dorothy Walker by OisÃn
Kelly.
The exhibition is, fittingly, curated by a fellow writer and art critic Ciarán
Bennett, who has made Dorothy Walker's time as an outstanding art critic, from
1968 to 1982, the focal point of the show. This period was associated not only
with the birth of Modernism in Ireland, with which she was synonymous, but also
with the emergence of architectural practices, such as Scott Tallon Walker, with
whom she worked. These companies were an emblematic force for change in the
relationship between architecture and art, working with artists such as Louis le
Brocquy and Patrick Scott.
It was this adhoc group of vibrant and forward-looking artists and art lovers
who initiated that seminal manifestation of contemporary art in Ireland - the
ROSC exhibitions in the 1960s, '70s and '80s. Bennett describes A Vision of
Modern Art as being "a tribute to the art that surrounded Dorothy Walker during
her life. The more I considered the various themes of her life, a perception of
Dorothy as a critic became paramount, rather than the persona of the cultural
ambassador for which she was latterly often better known. Her participation in
projects such as ROSC and L'Imaginaire Irlandais in France in 1996, The Living
Art exhibitions in Dublin and projects with Joseph Beuys and Christo, in both
Dublin and Florida, helped to change ideas about visual art in this country.
Writing in the catalogue to the exhibition, the distinguished American art
critic Donald Kuspit, sees Ms Walker's collection as identifying with the
Ireland it served, but also having an integrity that transcended any national
identity. He views her collection and, by extension, the exhibition as an
expression of her inner and outer self. Christo's Wrapped Walkways, Project for
St. Stephen's Green Park, Dublin, and Patrick Ireland's image of a large stone
found at Newgrange "signify Walker's extroverted Irish self - her outer shell,
as it were. At the center of the circle are exquisite abstract paintings by
Patrick Scott, Sean Scully, Charles Tyrrell, and Sarah Walker, along with Corban
Walker's minimalist sculpture. These signify the autonomous core of Walker's
self."
The staging of the exhibition by the Irish Museum of Modern Art marks not only
Ms Walker's highly-effective advocacy of modern art in Ireland and Irish art
internationally, but also her very significant association with the Museum
itself. Since well before IMMA opened in 1991, she had worked unstintingly and
enthusiastically for the establishment of such an institution. She was a member
of the founding Board of the Museum, established in 1990, and acted as Interim
Director on a voluntary basis prior to the appointment of Declan McGonagle. She
continued to serve as a Board Member until her resignation due to ill health in
January 2002. During that time her expert knowledge of the visual art world,
her dedicated support of the Museum's core philosophies and her tireless
promotion of its activities worldwide proved invaluable to IMMA in its formative
years.
The exhibition is presented as part of the Irish Visions Programme of St
Patrick's Festival. A catalogue, with essays by Donald Kuspit and Ciarán
Bennett and a foreword by Enrique Juncosa, Director IMMA, accompanies the
exhibition.
Image: Jim Dine, Midsummer Wall, 1966
Admission is free.
Opening hours: Tue - Sat 10.00am -
5.30pm
Sun and Bank Holidays 12 noon - 5.30pm
Mondays and 9 April Closed
Irish Museum of Modern Art
Royal Hospital
Military Road
Kilmainham Dublin 8 Ireland