Rather than a generalized and diffuse discussion on cities all over the world, this conference will focus on the specific example of four African cities: Freetown, Johannesburg, Kinshasa, and Lagos. Documenta11 is a constellation of five platforms. The first four platforms address specific issues at different venues. The fifth platform is the exhibition in Kassel. Platform4 has been organized in collaboration with the Goethe Institute Inter Nationes, Lagos
Documenta11 is a constellation of five platforms. The first four platforms address specific issues at different venues. The fifth platform is the exhibition in Kassel. Platform4 has been organized in collaboration with the Goethe Institute Inter Nationes, Lagos
Rather than a generalized and diffuse discussion on cities all
over the world, this conference will focus on the specific
example of four African cities: Freetown, Johannesburg,
Kinshasa, and Lagos. The aim of the conference is to
examine the vital place of these cities in the political,
social, and cultural economy of the region and to focus on
the nature of their social destabilization whether from war,
crime, urban decay, AIDS, and population explosion. But
more than serving as testament for further deracination of
the African continent, the conference will also be
concerned with the analyses of how to reinvent the urban
imaginaries of these cities as places that still hold great
potential for human vitality, creativity, and inventiveness.
The Micro-Politics of Cities as Locations of Global
Citizenship What then constitutes civil societyNULL And
what is citizenshipNULL What binds the production of these
highly incommensurable denominations to the creative
intercourse of cultural and artistic praxisNULL We would like
to believe that, while the notion of nation states remains
the conceptual axis around which such questions revolve, it
would be necessary to tease out its evolve-ment through
the study of the micropolitics of cities, as primary locations
where they are fused.
The question of the city has served as one of the
fundamental vectors for the range of experiences we
attribute to modern life. The consequence of this has
meant that for quite some time agglomerations of people,
histories, languages, identities, religions, commodities,
cultures, etc. in cities have brought about increasing
tensions and demands for a better and more efficient
management of the spatial dynamics of our cities. It is from
these that a set of initiatives (some based on the notion of
sustain-able development, others more obedient to the
pragmatic economic de-mands of global capitalism), that a
critical interrogation of urbanism and urban expansion have
risen. New theories of this rise in urbanism and the pressure
points of expanding populations we have witnessed in the
last half century have seen many cities transformed, their
social fabric recut to fit the changes that make urban
spaces dynamic and volatile at the same time. This tension
will continue to be one of the challenging features of
metropolitan life in the foreseeable future. Under Siege:
Four African Cities, Freetown, Johannesburg, Kinshasa,
Lagos is a conference in a series of public dialogues in six
cities in Europe, the Caribbean, Asia, and Africa, being
planned as part of the core of Docu-menta11, which opens
in Kassel, Germany on June 8, 2002. The conference also
represents the fourth platform within five distinct, thematic
areas of Documenta11 which proposes to engage in
dialogue and to examine intellectual and historical processes
that are implicated in differ-ing strategies of cultural
production. By inaugurating this process of exchange
between the exhibition based in Kassel and other locations
outside Europe, it is our intention and commitment to
embark on an extensive relocation of discourses of globalism
and culture to the specificity of sites within which particular
questions and issues are inscribed. By operating first on the
local level (Vienna, Berlin, New Delhi, St. Lucia, and Lagos)
and by allowing these public dialogues and critical
exchanges to precede the exhibition more than a year
before the official unveiling of the Documenta11 in Kassel,
our hope is to dramatize and demonstrate on an immediate
level the interdependence of the global paradigm, by
revealing how local specificities create new orientations in
the global discourse.
Additionally, Documenta11's proposition is to expand on the
notion of the mutuality which binds artistic praxis, the mega
exhibition model, and contemporary art as vehicles of a
globalized discourse that requires new interpretative
agents. This conference, thus, represents one agent in the
complex dynamics of a changing global orientation. Our
hope is to bring art and artists into a productive relationship
with cultural and intellectual activities that often are seen
to be outside the necessity of exhibition practice. In so
doing, Documenta11 wishes to also highlight another
ele-ment in its primary conception, which has to do with
the relationship between subjectivity and agency, between
artistic practice and intellec-tual discourse, and between
institutions and social spaces, all of which are intimately
connected to the ways we conceive of notions such as civil
society and citizenship.
Goethe Institute Inter Nationes Lagos
10, Ozumba Mbadiwe Avenue, Victoria Island, Lagos, Nigeria